An enigma, Leonard Norman Cohen was possibly the most improbable bohemian intellectual songwriter/singer in music history. He was certainly the working-class hero, the peoples' poet, the suicidal lamenter of doom and the purveyor of popular songs.

An enigma, Leonard Norman Cohen was possibly the most improbable bohemian intellectual songwriter/singer in music history. He was certainly the working-class hero, the peoples’ poet, the suicidal lamenter of doom and the purveyor of popular songs. But the truth is even more complex. Throughout his life, there were juxtapositions of the most unlikely life choices and influences. To have fashioned a mishmash of ideas, styles and influences into a successful, long-lasting musical career is nothing short of amazing. He blended secular, mystical, sexual and religious themes into ambiguous poetic tapestries and devised an intricate, unique musical style. He possessed a deep baritone voice that, although mesmerising, was sometimes in danger of sounding monotonous. Leonard was able to fuse these elements into a distinctive amalgam that somehow worked on many levels. He did not look the part, play the game or conform to any rules, but Leonard touched hearts and minds all over the world, while writing some remarkable songs, including ‘Halleluyah’ and ‘Suzanne’. Focusing equally on this popular early albums, his more experimental mid-period and his final, late-career renaissance, this book analyses and interprets every album and every individual song to shed light on the phenomenon of Leonard Cohen.