No one has satirized New York society quite like Dawn Powell, and in this classic novel she turns her sharp eye and stinging wit on the literary world, and "identifies every sort of publishing type with the patience of a pathologist removing organs for inspection." Frederick Olliver, an obscure historian and writer, is having an affair with the restively married, beautiful, and hugely successful playwright, Lyle Gaynor. Powell sets a see-saw in motion when Olliver is swept up by the tasteless publishing tycoon, Tyson Bricker, and his new book makes its way onto to the bestseller lists just as Lyle's Broadway career is coming apart.
"For decades Dawn Powell was always just on the verge of ceasing to be a cult and becoming a major religion." -
- Gore Vidal
"The 1948 tale of a scholar's roller-coaster affair with a married society type is an anguished love story, a reversal-of-fortune parable, and a blistering satire that rings true today—cynical columnists, silly socialites, sinister nighthawks, all in one gorgeous Deco package." —Borish Kachka, Bloomberg Businessweek
"Dawn Powell once wrote that although her writing might occasionally concern itself with serious matters, there was never any need to get heavy-handed about it. The Locusts Have no King, first published in 1948, is a stellar example of this quasi-manifesto. Like all Powell's novels, it glides, fast but deep, from the first sentence to the last, written with impeccable finesse and a flawless ear, never grinding its wheels or getting lost in egotistical undergrowth. For all its sweetness and light, Locusts is an intelligent, hard-headed, clear-eyed, examination of art, love, ruthlessness, infidelity, commerce, ambition, betrayal, and destruction. It is, in short, a quintessential New York novel. . . . The whole novel still rings as true now as it must have more than half a century ago." — Kate Christensen, author of The Epicure's Lament and other novels in Barnes & Noble Review.
“The Locusts Have No King is one of Powell’s finest novels and better than anything currently on the bestseller lists.” — Library Journal (Classic Returns column, 1995)
"A brilliant satire of the New York literary world during the late 1940s." — Shelf Awareness